"If we make that main character, it won’t be appealing to fans.”
“I don’t think this story is very relatable.”
“Why does a white person writing ‘Asian fantasy’ get more attention than people from the original culture??!”
I imagine many of us have seen the discussions, the debates, the criticisms, the arguments—in fiction publishing, in video games, in movies, in tabletop games—that point to an ongoing problem: the entertainment industry is still dominated by Western, white, often United States-centric creations and themes.
This dominance doesn’t continue because no one else exists in these creative spaces. A diverse range of people, across multiple aspects of identity and experiences, are creating entertainment.
But who gets funding?
Who gets PR?
There are exceptions, sure, but the majority still focuses on the same demographic.
There’s a conversation we can have about accessibility and resources (and many people are, which is great) but there’s another element at work: the challenge of creating a sense of resonance when you don’t belong to the majority culture.
What do I mean?
The last few weeks I’ve split my downtime between returning to World of Warcraft (WoW) and participating in beta testing for the Classic (original 2004) version of WoW. Returning to both games at roughly the same time, after not playing any version of WoW for almost ten years, led me to automatically compare and contrast the versions.
This post is a casual reflection on those comparisons with some ending thoughts on game design.
I'm known for going on tangents. The only consistent thing in my life is that I spend most of it creating things: novels, games, graphics. I love taking apart how art and games work, then reconstructing my own version from the pieces. I'm also enough of a layout perfectionist to adore eraser shields.